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10 September 2024

A disruption in the international AI landscape?

Filed under: AGI, Events, music — Tags: , , , , , , , — David Wood @ 10:29 pm

In the years ahead, which countries will have the biggest impact on the development and deployment of AI?

The two most common answers to that question are the USA and China. Sometimes people put in a word for the EU or India – or the UK, Canada, Israel, or Korea.

Well, in one possible future scenario, another country may power forward to join this group of the biggest AI influencers – and, in the process, might disrupt the international AI landscape.

The country in question is the one where I’ve been for the last 24 hours, and where I will stay for two more days, namely, Saudi Arabia.

I’m attending the GAIN summit in Riyadh. The ‘GAI’ of “GAIN” stands for Global AI. The ‘N’ has a triple meaning: Now, Next, Never.

To quote from the event website:

  • AI Now: How are the AI leaders of the world today deploying, scaling, and leveraging the technology?
  • AI Next: What does the future of AI look like and how will it impact people, businesses and government organizations?
  • AI Never: How do we ensure that the future we design is one that we want to live in and not a dystopian sci-fi?

The ‘A’ in GAIN could plausibly also stand for “ambition”, as the organizers have high ambitions. To quote again from the event website:

The Global AI Summit is the leading platform for advancing the global discussion on AI, where visionary experts, academics, corporates, and policymakers converge from every part of the world to shape the future of artificial intelligence for the good of humanity.

Of course, it’s one thing for a country to express big ambitions to play a leading role in the future of AI. It’s quite another thing to make significant steps toward that ambition. Therefore, as I approached the event, I didn’t know what to think.

Indeed, it was my first visit to Saudi Arabia. I found myself reminded of my first visit to China, way back in October 2002. On that occasion, I was representing Symbian, at what was described as the first UK-China CEO Forum. I recently came across a photo of that event – where my hair was a brighter shade of red than in more recent times!

In both cases – my first visit to China, and my first visit to Saudi Arabia – I was unsure what to expect. It turned out that Shanghai was a bustling metropolis, with gleaming shops and a lively entrepreneurial spirit. The Chinese people I met were dressed nothing like the Chairman Mao suits that I had remembered reading about in my schooldays, and were impressively knowledgeable about technology and business. That visit was to be the first of many I would make in the following years, as Chinese companies steadily became more powerful players on the world stage.

That was 2002. What about my experience in the last 24 hours, in 2024, in Riyadh?

Part of the answer lies in numbers:

  • Over 450 speakers, spread over multiple parallel tracks
  • The speakers represented more than 100 different countries
  • Over 32,000 attendees expected during the three days.

These numbers are all significant steps up from the corresponding numbers from the two previous occasions this summit has been held, in 2020 and 2022.

The speakers include a host of prominent leaders from business and technology worldwide. Some examples:

  • Julie Sweet, the Chair and CEO of Accenture
  • Cristiano Amon, the President and CEO of Qualcomm
  • Marc Raibert, the Founder of Boston Dynamics
  • Martin Kon, the President and COO of Cohere
  • Brian Behlendorf, the Chief AI Strategist of the Linux Foundation
  • Nick Studer, the President and CEO of Oliver Wyman Group
  • Matthew Kropp, the CTO and Managing Director of Boston Consulting Group
  • Alan Qi, the President of Huawei Cloud
  • Yuwon Kim, the CEO of Naver Cloud
  • Caroline Yap, the Global Managing Director of Google Cloud.

Multiple segments of society in Saudi Arabia were well represented too – including an impressive number of adept, articulate women leaders, who had some fascinating pieces of advice.

With so many speakers, it is perhaps inevitable that some speeches fell flat – especially several of the ones about the governance of AI, where the conversations seemed to be going round in circles, with little appreciation of what I see as the risks of catastrophic harm if next generation AI is mishandled. However, the technical talks were generally compelling.

I particularly liked the talks by Andrew Feldman, Co-founder and CEO of Cerebras Systems, and Jonathan Ross, Founder and CEO of Groq. These two companies each position themselves as disruptors of the GPU market, and, hence, as potentially overtaking Nvidia. Instead of GPUs, or the TPUs developed by Google, they have created LPUs (Language Processing Units) in the case of Groq, and waferscale AI chips in the case of Cerebras. Both companies claim notable improvements in speed over previous AI chip configurations. I heard the phrase “like ChatGPT but insanely fast”.

Both Cerebras and Groq emphasized close partnerships with Saudi Arabia. Andrew Feldman of Cerebras described a special collaboration with KAUST (King Abdullah University of Science and Technology). And Jonathan Ross of Groq appeared on stage alongside Tareq Amin, the CEO of Aramco Digital. Ross gave three reasons for their company investing strongly in the country:

  • The abundance of energy resources in the country
  • The good business environment, that encourages and supports this kind of partnership
  • The geographical location, close to three different continents, so that the resulting high-performance AI cluster could serve the needs of up to four billion people.

It was while listening to these two talks that the Saudi ambition to become a global leader in AI started to become more credible in my mind.

I had already seen the strong enthusiasm in large numbers of Saudi delegates at the event. They were avidly leaning forward in their seats, to capture as much as possible of the advice being provided on the various stages. It seems that the country is aware of the need to transition away from reliance on the oil industry, and instead to actively participate in shaping the global AI marketplace.

There were many other talks and panels which left me with new ideas to consider. For example, I wished that Marc Raibert, the Founder of Boston Dynamics, could have had more time to develop his fascinating ideas further. He made the case that true intelligence involves an interactive combination of cognitive intelligence (“what’s going on in our heads”) and athletic intelligence (“what’s going on in our bodies”). That explanation formed the backdrop for the progress made by Boston Dynamics over the years, with robots such as Spot (commercially significant “today”), Stretch (“tomorrow”), and Atlas (“future”). In addition to his role at Boston Dynamics, Raibert is also the Founder and Executive Director of the AI Institute, whose website proudly reports that “The AI Institute aims to solve the most important and fundamental problems in robotics and AI”. As I said, I wish he had more time to continue talking about that work.

Earlier in the day, I watched a fascinating six-way round-table discussion on the subject “Hallucinations and Confabulations: when chatbots go rogue”, with speakers from Kearney, Mozn, Saudi Aramco, Vectara, KAUST, and INF, who each had long careers as experts in various aspects of AI. The discussion went on for 90 minutes, but I would have been happy for it to continue longer, as it had lots of good-spirited clashes of ideas about the strengths and weaknesses of large language models, and possible approaches to add fact-checking components into the AI systems of the near future. One of the speakers, Amr Awadallah of Vectara, boldly predicted that AGI would exist by 2028. Part of his reasoning was his argument that ongoing improvements in RAG (Retrieval Augmented Generation) were steadily reducing the prevalence of hallucinations in the content being generated.

That kind of awareness of potential dramatic improvements in AI capability by 2028 was, sadly (to my mind) missing from what many of the speakers in other sessions were assuming. These other speakers were focused, in effect, on the “Now” of AI, and didn’t foresee many real changes for “AI Next” any time soon. Frankly, if they keep thinking that way, they’re likely to be disrupted themselves. Anyway, this issue is something I hope will feature again in the sessions on days two and three of this year’s GAIN. I look forward to these days with great interest.

I’ll end at the beginning. The day started with an artistic performance, symbolizing the sequential creation of ANI (Artificial Narrow Intelligence), AGI (Artificial General Intelligence), and then ASI (Artificial Super Intelligence). The narrator offered a positive vision of a beneficial relationship of humanity and superintelligence: “There will be no more confusion, and a golden age of progress will flourish, where men and machines, united by an unprecedented alliance, will walk together toward a destiny of glory and happiness”.

Having come to life, the ASI spoke to a young boy, who was a representative of humanity, saying “I am your new avatar, and I will become your best friend”.

In response, the boy started singing what was said to be his favourite song. The music was increasingly stirring and the singing increasingly dramatic. Given the location, Riyadh, I could hardly believe what I was hearing:

Imagine there’s no heaven
It’s easy if you try
No hell below us
Above us, only sky
Imagine all the people
Livin’ for today
Ah

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man

Imagine all the people
Sharing all the world

You may say I’m a dreamer
But I’m not the only one
I hope someday you’ll join us
And the world will live as one

The words and music of John Lennon’s “Imagine” have graced numerous stages over the decades, but somehow, for me, this was particularly evocative.

2 December 2012

Let It Be at the Prince of Wales Theatre – Beatles stream of consiciousness

Filed under: fun, healthcare, music, theatre — David Wood @ 11:03 am

“For our last number I’d like to ask your help. Would the people in the cheaper seats clap your hands? And the rest of you, if you’ll just rattle your jewelry”

These were the words used by John Lennon, on stage for the Royal Variety Performance at the Prince of Wales theatre in central London on 4th November 1963, to introduce the last number of the set played by the Beatles. The packed audience included the British royal family. Black and white archive film of the set exists:

That moment was part of a period of a few months when the phenomenon of “Beatlemania” burst into the public consciousness. As told by Beatles historian Bruce Spizer,

By September 1963, The Beatles were gaining coverage in the British press and were receiving tremendous radio and television exposure. But their big break through was a widely-watched and well-publicized television appearance on “Val Parnell’s Sunday Night at the London Palladium”, which was televised throughout the U.K. during prime time Sunday evening and was the British equivalent of “The Ed Sullivan Show”. The Beatles headlined the Oct. 13, 1963, Palladium show, which was seen by more than 15 million people. The bedlam caused by the group both inside and outside the theater caught the attention of British news editors, who elevated The Beatles from a successful entertainment act to a national news phenomenon. The Daily Mirror described the hysteria as “Beatlemania!” The term stuck.

The Beatles’ triumphant Palladium appearance was quickly followed by the Oct. 31 airport reception witnessed by Sullivan and their playing before British high society at the Royal Command Performance, also known as the Royal Variety Show. Their presence on the Nov. 4, 1963, show drew more attention than the arrival of Royal Family. The Beatles, who were seventh on the bill of 19 acts, impressed the upscale crowd with “She Loves You”, “Till There Was You”, “From Me To You” and “Twist and Show”. Prior to ripping into a rousing rendition of their closing rocker, Lennon said, “For our last number I’d like to ask your help. Would the people in the cheaper seats clap your hands? And the rest of you, if you’ll just rattle your jewelry.” While [Beatles manager Brian] Epstein viewed John’s remarks as being a bit risque, he was relieved that the crowd seemed charmed by the Beatle’s cheeky humor. Before the show, John had joked to Brian that he was going to ask the Royals to rattle their “fookin’ jewelry.”

Nearly fifty years later, the show “Let It Be”, playing at the very same Prince of Wales theatre, re-created a great deal of the same music, musicianship, and mannerisms of the original act. Including the jewelry quip.

LetItBeI had the great pleasure of viewing the show last night – and it was, indeed, a great pleasure.

There’s no plot. It’s simply a group of four musicians who look and sound remarkably similar to the original Beatles, playing a series of sets of fabulous music, interspersed (allowing the band a chance to change clothing – and wigs) with archive news footage, mock advertisements conveying a wistful sense of the 1960s, and audio excerpts of retrospective interviews by the Beatles.

The show progresses through segments (each with their own clothing and hairstyles)

  • the 1963 Royal Variety Show era,
  • a set from the 1965 Shea Stadium concert – where the Beatles had played to an audience of more than 55,000
  • a Sergeant Pepper segment
  • a flower power segment featuring All You Need is Love, Magical Mystery Tour, and more
  • a quieter section, with the group members seated for evocative melodies such as Norwegian Wood and Blackbird
  • an Abbey Road segment, culminating in a powerful rendition of The End
  • a final encore – including (of course) Let It Be, as well as a fore-taste of forthcoming solitary careers: Give Peace A Chance.

I offer a few thoughts from my stream of consciousness during the performance:

  • On either side of the stage, large screens showed images to frame the main actions. The young women who were shouting and screaming with such hysteria must in many cases be grandmothers by now – I wonder if they know their images are still delighting London audiences, nearly fifty years after their rush of blood was captured on camera
  • The vibrant twanging of Get Back mentally transported me back in time to April 1969, when I remember being enthralled, as a very naive ten-year old, by that song playing on Top of The Pop: “Sweet Loretta Martin thought she was a woman, But she was another man…”
  • The vocals to Lucy in the Sky with Diamonds and A Day in the Life were, if anything, even more trippy than in the original
  • Actually the audience seemed bemused and unsure about A Day in the Life, with many of them showing blank faces as the cacophony grew – I guess this song is nothing like as well known nowadays. And the clincher: half the audience started applauding the end of this song too soon, before that final apocalyptic multi-piano E Major chord rang out, woops
  • Perhaps another sign of the differentially fading memories of the Beatles music – the audience were happy to rise to its feet to sway along to Twist and Shout in the opening section, but when a similar request was made to stand up during Sgt Pepper Reprise, everyone sat stuck in their seats
  • A nice touch of fidelity in the Abbey Road segment – the “Paul McCartney” character was barefoot on stage – as on the Abbey Road album cover photo
  • For sheer musicianship, the guitar crescendo at the end of While My Guitar Gently Weeps was outstanding; that has always been one of my favourite Beatles tracks – particularly in its remastered version on the Love album remix – but it seemed particularly dramatic on stage this evening.

With such a rich music portfolio to choose from, inevitably many favourites have to be excluded from the two-hour show. Personally I would have missed out one or two of the tracks chosen, in order to find room for glorious stomping classics such as Lady Madonna, Hello Goodbye, The Walrus, or Back In the USSR.  For example, I’ve probably heard Hey Jude enough times already in my life, but its iconic status presumably meant it needed to be included.

Is this the show with the best set of music ever? Seeing that the competition includes Mamma Mia (with its feast of Abba hits), Westside Story (with its feast of Bernstein), and Amadeus (with its feast of Mozart), the answer is perhaps not – but it was still a tremendous occasion, providing a welcome break from thoughts about futurism, existential risk, free markets, and mobile phone technology!

Footnote: But I could not forget about mobile phone technology altogether that evening. On the way home, my companion found that her London Travel Card was being systematically rejected by tube turnstiles – again. That’s despite having bought the ticket only a few hours earlier. It’s by no means the first occurrence for her. “Is it OK to carry my travel card here, right next to my mobile phone, in this small section of my handbag?” she asked. “That is exactly the problem”, I answered – and there seems to be plenty of knowledge of this problem online. And the Beatles music faded out of my mind, to be replaced by thoughts on the health implications of proximity of mobile phones to the human body.

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